Keith Harring would have been 54 today

Keith Harring
Keith Harring

On February 16, 1990, at age 31, Keith Haring’s life was cut short due to an AIDS-related illness. He would have been 54 today and as a homage, here are a few words and a tribute to his most iconic pieces of art.

I wonder what Keith Haring (May 4, 1958 – February 16, 1990) would make of the global phenomenon that street art is now, art form very much confined to the street of New York City at the time when he decided to move there in 1978, aged 19.

Having studied commercial art and then Fine Arts, he took a keen interest in graffiti art, Haring would go out there and paste collages of fake New York Post headlines on lamposts or news stands. He explored the likes of SAMO (Jean-Michel Basquiat) or Fab Five Fred (Fred Brathwaite) graffiti art to quickly put in practice his own interpretation of this form of art and would develop his future vocabulary of primitive cartoon-like forms. The Haring’s chalk-drawn “radiant babies” and “barking dogs” were born (see pictures) and woud become familiar sights on the matt black surfaces used to cover the old advertisements in the subways.

Keith Harring Radiant babyKeith Harring Barking Dog

These chalk drawings in the subways of New York got Haring in the public eye and he would go on from there to have his first exclusive exhibition in the Tony Shafrazi Gallery which put together a retrospective a few years ago about it – see picture. Willing to reach a larger public, he immersed himself in popular American culture and befriended individials such as Andy Warhol, Madonna or Grace Jones (whom he would body-paint).

Haring was also a keen social activist and as a result of his ever increasing political involvement; he designed a Free South Africa poster in 1985 (see picture) and painting a section of the Berlin Wall in 1986 (see picture). Other works include design for Swatch watches or the Absolut Vodka advertisement (see picture)

Keith Harring work on the Berlin WallKeith Harring Free South Africa poster

Keith Harring’s work are just simply one of the best examples of how consumerism, popular culture and fine art merged in the 1980s.

Recommended readings
Keith Haring: The Authorized Biography by John Gruen (1991) includes interviews with the artist and those closest to him and is an invaluable source for understanding the art and life of Haring.

The early work is illustrated in Art in Transit: The Subway Drawings (1984) and Keith Haring (Shafrazi Gallery, 1982). An enlightening interview by David Sheff appeared in Rolling Stone (August 10, 1989).

Elizabeth Aubert directed an insightful video entitled Drawing the Line: A Portrait of Keith Haring (Biografilm, 1989).

Later an attempt was made to place Haring within a broader art historical context in Keith Haring, edited by Germano Celant (1992). □

Boy Soldiers Exhibition at Graffik London

boy_soldiers_e-flyer

A group of specially selected artists that have come together to produce their unique interpretations of the legendary Howard Marks (known as an elite British drug smuggler)

Artists taking part include Goldie, Charles Lutz and Terry Cryer, and these exclusive portraits will culminate in an exhibition at RedHouse Originals (Harrogate) in October to coincide with the UK cinema release of the ‘Mr Nice’ film. Continue reading Boy Soldiers Exhibition at Graffik London

New York Kings at Pure Evil

New York Kings at Pure Evil | Art-PieAlthough street art is inviting itself in auction rooms and household lounges these days, it is still regarded by a large majority of us as vandalism. It is hard to understand anything when you do not try to understand where it comes from but only look at the surface and leave your ignorance driven your judgement which is bound to be false.

New York Kings at Pure Evil and curator Christophe Demoulin would definitely like to put this point across to any visitor and underline the importance of the US graffiti movement that started along with the hip hop one in the 70’s and 80’s. The purpose of this writing is not to tell about the social or politic importance aspect of the movement but about looking at the creativity that came out of it which is on display in this show.

All the graffiti and street art pieces have been drawn on actual New York subway maps which is the new medium the “old kings” have found to pursue the tradition of “subway art”. This was a necessity more than anything since the authorities have actually banned any artistic intervention in the subway. The most prolific and subversive won the right among peers to use a crown symbol next to their work, meaning graffiti king.

The show spreads onto the two floors at Pure Evil and has got pieces from all the big names that made the graffiti genres used widely by other artists all over the world from BLADE for the 3D lettering to COPE2 for the bubble lettering. Other names includes FUZZ ONE, BOM5, SEN2, INDIE 184, STAY HIGH 149, POEM, RD 357, DECK, EASY & JOZ.

The show runs until the 18th november 2012.

New York Kings at Pure Evil | Art-PieNew York Kings at Pure Evil | Art-Pie

New York Kings at Pure Evil | Art-PieNew York Kings at Pure Evil | Art-Pie

New York Kings at Pure Evil | Art-Pie

New York Kings at Pure Evil | Art-PieNew York Kings at Pure Evil | Art-Pie

New York Kings at Pure Evil | Art-PieNew York Kings at Pure Evil | Art-Pie

Group show at Signal gallery – Mixed doubles

In our first group show in the new Paul Street space, we are presenting four very interesting artists whose work links and entwines in very winning ways. It’s a fine match between the abstract and figurative ends of the painting spectrum.

However, this is not a one sided game, but an exploration of overlapping skills and techniques, that will make excellent viewing, if not producing any obvious winners.

Dan Baldwin
Of the two strongly figurative artists in the show, Dan Baldwin is best known to the UK. His dynamic and intricately subtle paintings are a familiar and respected part of the contemporary/urban art scene.

Joram Roukes
Joram Roukes is a new name to the UK. Roukes large-scale oil paintings have a sense of fantasy and humour that is superficially akin to Baldwin’s work. However, there is a more robust and serious purpose to these works, which gives them a powerful and dark effect.

Joram Rouke

Andrew McAttee
The absence of any familiar figurative imagery seems to create an unnerving sense of emptiness. This is indeed joyous and decorative work (Power Pop Art as the artist calls it), with a childlike directness, but somehow there is still a sense of a void, giving the work an edge.

John Squire
His artwork first came to public notice with the very popular Pollockesque album cover designs for his band. Since then, his work has been paired down and has become generally abstract in form.

When
10th February Private View.
11th February – 5th March open to public.

Where
Signal gallery – 32 Paul Street London, EC2A 4LB

Words by Signal gallery

Conor Harrington hit East London

Despite the dodgy weather in what’s supposed to now be spring, some of our favourite artists haven’t been deterred and continue to get up with some excellent work appearing in recent weeks.

No one fits that description more than Art Pie favourite Conor Harrington who added this stunning portrait to the East London streets.

This piece follows on from the Irish artist’s work at the recent Wide Walls Paint Jam in Mallorca where another exquisite black and white piece was added.

Conor Harrington hit East London | Art-PieConor Harrington hit East London | Art-Pie

Conor Harrington hit East London | Art-Pie

London Art fair – in its 23rd year but still going strong, part2

Here is the second set of selected works from this year’s London Art fair which for the sixth year includes Art Projects, now a major part of London Art Fair.. 31 Galleries feature emerging artists and new work.

Established as one of the most exciting sections of the Fair, it features solo shows, curated group displays and large-scale installations with galleries from across the world. Pryle Behrman has worked on Art Projects as curator since its inauguration in 2005. Continue reading London Art fair – in its 23rd year but still going strong, part2

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