Acrylics on clothing explains by MWNYC www.mileswickham.com Continue reading Tutorial: Acrylics on clothing by MWNYC (video)
Acrylics on clothing explains by MWNYC www.mileswickham.com Continue reading Tutorial: Acrylics on clothing by MWNYC (video)

“The concept of ‘the spectacle’ interrelates and explains a wide range of seemingly unconnected phenomena. The apparent diversities and contrasts of the phenomena stem from the social organisation of appearances, whose essential nature must itself be recognised. Considered in its own terms, the spectacle is an affirmation of appearances and an identification of all human social life with appearances. But a critique that grasps the spectacle’s essential character reveals it to be a visible negation of life – a negation that has taken on a visible form.”[1]
Guy Debord from Society of the Spectacle

I didn’t have to delve far into Guy Debord’s Society of the Spectacle to find what I was hoping to find. This quote by Debord states the nature of the spectacle as an affirmation of ‘appearance’, while a critical look at spectacle reveals the spectacle to be a ‘negation of life’. This is the very essence of what Edd Pearman explores in his work. “Duality has a strong influence throughout my work, each work maintains a two-fold characteristic in its content i.e. Humour and horror, life and death, hope and despair. All initially appear to embody one intention, yet possess in equal measure, opposite qualities,” says Edd.
Appearance is seductive – and deadly. Is that a hyperbolic statement for effect? Possibly, but think of all the little deaths you’ve experienced for the sake of appearance and you may find you agree with me.
Read more of our interview, False Together, for This ‘Me’ of Mine.
[1] Debord, Guy, Society of the Spectacle, trans. Ken Knabb, Rebel Press, London, pg.9
Part of our 3 street art works series you should see today. Artists featured are Ceon, Liliwen x Bom.K and ROA.
CEON

Liliwen x Bom K

ROA – Located in Malaga (Spain)

We have had the chance to ask a few questions to Fran Williams
ART-PIE:Tell us about yourself in a few words?
FRAN WILLIAMS: I explore the process and of paint and its emotional impact through mark making. Using the human form as a vehicle to create emotion with paint.
A-P: What is your process/approach when making art?
FW: My process is one of discovery through continual manipulation of paint and surface…throughout the smudging and hacking away of paint I get an idea of the ‘personality’ of a potential painting before choosing a pose which I feel will bring a readable emotion to it.Its all about the overall energy a of a painting…detail and meaning are secondary whilst Im creating it… the titles and meaning I attach afterwards come from things I have been thinking about outside of the studio.
A-P: Where/what do you look for inspiration?
FW: Everything everywhere is inspiring in one way or another…the changabilty of the sky is something Im inspired by all day…its a continual reminder of the impermanence of any experience which is something I find very useful should I ever have doubts on whether I could /should do something…it reminds me to just do it, and enjoy the journey.
In terms of artistic fuel Im always looking at the art of the Symbolist Painters such as Odilon Redon and Jean Delville…aswell as contemporary and mixed media artists such as Celia Paul and Dave Mckean.
A-P: Any upcoming shows?
FW:
Solo show ‘Helpless Angels’ opens at Bo-Lee Gallery May 14 – June 11
Affordable Art Fair – View Gallery May 13 – 15
Signal Gallery Group show in June
Blackhall studios London- Bo-Lee gallery group show June 13 -18
Make sure to check Fran William’s website
We thank you Fran Williams for taking time to take part in this interview. Find below a few pics of her best work. All three pieces are using oil/acrylics on canvas.



I have not been felling so excited like this for a while. Steady, I am talking here about the concept of sound painting. I know what you are thinking right now – “How does it work?”. Read on.
Right, the gear you need first – a camera with a flash, a loudspeaker unit, plastic sheeting, electrical tape, paint (ideally poster paint), and a laser trigger (if you happen to have one).
So what is it really? “captured images of specific moments when paint is propelled into the air by sonic vibrations.” <- that sounds good to me – literally.
The pictures below are the work of Martin Kilmas, German born artist, who spent some time to get the right shots, the moments that are truly moving. I am sure you will agree?
Hands on – head over to www.thecreatorproject.com blog where all the steps are break apart. But first have a look below and see what you could achieve.
What is really remarkable with this concept is what you actually get – A spontaneous and ephemere somewhat abstract visual of whatever tune you have decided to blast out. Awesome.
Pictures and initial read from www.thecreatorproject.com


3 hours solid is the time I spent yesterday at the Business Design centre where the London Art fair is being held until Sunday 23rd January and still I ran out of time to get to see or do what I had intended too. This is to show how much there is to see at this amazing event. Continue reading London Art fair – in its 23rd year but still going strong, part1

A collective artist has formed behind the concept of customizing water pots for charity.
A simple idea to hopefully raise loads of money. Loads and well notorious artists such as Tracey Emin, Pure Evil or the Chapman brothers, have answered yes to this event which will be held on the 11th October at Philips. Continue reading The Bhopal Medical appeal: charity art auction
Another day, another pair at it, another sexy piece from Remi Rough who was invited to collaborate with Nawer on a new mural which announces the upcoming Traffic Design Festival
For those familiar with Remi Rough’s stuff, this piece is immediately recognisable and true to the artist’s style in terms of the color palette and elements used – a series of intricate lines cleverly coloured and composed to give a very interesting depth to the piece. The black and white background gives emphasis to the bright colours in use here.
Worth noting the very delicate and skilful details within the larger lines and going through in some cases (see picture below) which gives even more depth to the whole thing. And have you noticed that the front wall have also been painted to make sure the piece look good from every angle.
A winner all round.




Chris Stevens is a painter with the firm belief that art is a marriage between concept and technical accomplishment. The process of making a painting is as much a part of the work as the finished piece. Challenging our preconceptions about people, this is an artist who explores current identity, class, race and gender.
Recently he co-curated ‘REALITY’ at the Sainsbury Centre, an exhibition that brought together over 50 works celebrating the strength of British painting. Some of the best and most influential artists of the last sixty years were exhibited in the show – key figures of the 20th century such as Francis Bacon, Lucian Freud and David Hockney.
Having studied Fine Art at the University of Reading under Terry Frost, he has exhibited regularly since graduating in 1978. A prize-winner in the BP Portrait Award, 50 over 50 and more recently in the Painted Faces exhibition organised by the Saatchi Gallery and Windsor & Newton, he has also undertaken Arts Council residencies at Sunderland Football Club and Birmingham International Airport.

Chris Stevens has worked in public and private collections including the Victoria & Albert Museum, The National Gallery of Wales, Unilever, Galerija Portreta, Bosnia & Herzegovina and many private collections in UK, South Africa, USA and Europe. He currently lives and works in France.
Jorge Rodríguez-Gerada is a Cuban American contemporary artist. He as bee around since the late 90´s he has been replacing the faces of cultural icons chosen by advertisers with the faces of anonymous people to question the controls imposed on public space, the role models designated and the type of events that are guarded by the collective memory.
His spectacular interventions are created for the sake of bringing awareness to relevant social issues. His large scale time base works avoid negative impact on the environment, challenge the conformity in contemporary art and allow for a reflection that goes beyond the completion of the piece to focus in its concept, process, and the metaphor that comes forth because of the material chosen.
Here below is ine if his works – an 11 Hectare portrait in Belfast, Northern Ireland!


