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RECURSIVE on Repetition

RECURSIVE blog banner

I’m very pleased to say

1) I have a new project in the works and

2) Art Pie is again media sponsor!

This project is smaller in scale than This ‘Me’ of Mine, but just as interesting. RECURSIVE explores the inner repetitive thought processes, both ones we’re aware of and ones we’re not. The works in the exhibition show evidence of this recursive thinking in action through the work. My goal for the blogsite is to create a place to discuss what repetition is, how it affects us, and why we’re so drawn to it. So far, that is working really well!

Here’s an example:

janeboyer

Submitted on 2014/05/16 at 1:03 pm

I’ve been thinking of how I feel about the change in repetition, and really, how would I put it into words?I can remember feeling ‘solid’, meaning I knew who I was in relation to where I was and who I was with. Mechanization made communities prosperous, providing most of the work for a local population.

I knew what products I could depend on, where to buy them and how much they would cost. I knew I would need to save money to afford more expensive things I wanted. There was stability in knowing products were readily available and in constant supply. I came home with products I liked in shopping bags. I could smell the production process of tires and toothpaste on the air, knowing they smelled polluting.Now, as someone involved in a digital world, I work where I do not live, I purchase products from all over the world which are shipped to me.

I feel guilty at the thought that less wealthy people than I (and I am not wealthy!) make the clothes I wear and have produced them in a very foreign place in unknown circumstances and at unknown costs to the environment. I feel ‘transparent’ as I share quirky little thoughts on twitter and downright exposed when I post anything on Facebook. I feel impinged by knowing that I can never decide to remove my profile on Facebook. I feel hectic and rushed even though I sit at a table most of my day typing on a keyboard.

I see almost no one, except my husband, throughout my workday. In short, I feel boxed, constrained, observed and strangely non-material in a world that I struggle to comprehend, as my thoughts flit from task to task, page to page, and site to site.

Ian Pickering

Submitted on 2014/05/16 at 4:50 pm

I am not sure that repetition is mechanisation. Farming is repetitive as is much basic craftwork. I am also tempted to suggest that change has always produced a response that things have got worse. Feeling transparent. That is an insight and I understand the idea of being simultaneously connected but isolated.

codedimages

Submitted on 2014/05/16 at 5:17 pm

I recognise your descriptions. I do feel though that I work where I live, but the product of that work is then spread instantly to all parts of the globe and to anyone who cares to take an interest. Working alone is lonely.

I envy those who have a physically located group to associate with and are able to share ideas face-to-face. I don’t know if any of this has repetition at its core though. I do know I would not want to turn the clock back entirely. I feel privileged to be able to discuss ideas with people all over the world.

Being able to find like-minds wherever they might be is a huge plus for the web. On the other hand I need to find a better balance, where at least some portion of time is spent physically co-located with other artists. I will be working on that aspect in the days, weeks, months and years to come.

Kay

Submitted on 2014/05/17 at 1:46 pm

A few thoughts on a great topicI knit and crochet so there is much repetition involved in those actions. By chance I found and continue to find those repetitions creative. The stitching can also have a meditative quality to it, awakening me to the moment.

I don’t expect every repetitive action to have a meditative quality to it however I do recognise actions which are engaging and enlivening and those which have a dulling effect.I have had interesting on-line conversations and got connected to collaborative on-line projects -which I would never have come across without the digital world – I do value them. What I find with digital media is that it is all too easy to get stuck in repetitive actions which don’t lead to anything in particular.

The impact of some digital repetition is to dull / numb the brain. Perhaps that is why we crave the connection with humans who aren’t glued to the screen. The connections can perhaps be more random, intuitive and exploratory.I also think that repetitive digital actions in office spaces are questionable. The assumption seems to be that if people are at the screen they are working and even engaged in their work.

I don’t agree. Humans create and work in a range of ways. As a fellow human I need variety and stimulation through words, textiles and other random moments to develop. This becomes more important as I get older. I work with older people and am obsessed with memory, aging, loneliness and isolation! A few of the comments here refer to people experiencing a sense of isolation even in a world of virtual connections.

I think it is essential to create spaces which integrate the virtual and physical nature of life (I love the makers library network). Isolation is a killer. As a human I want to be awake to this and create repetitions which sustain me and who know others around me.

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We hope you’ll join us and join in the conversation…

Go to RECURSIVE

Busk Bleach Zadok at Pure Evil gallery

Last time I went to Pure Evil gallery I was blown away by the exhibit I saw from ROA (read post here) as well as the gallery itself and the way it was used: clever and original display of the artwork and above all fresh works from the artist himself on the walls – really like this approach where you feel the gallery is owned by the artist so once again, well done to Charles at Pure Evil.

Even more so when you learn that all the works I was looking at that day has been created just for that show. Continue reading Busk Bleach Zadok at Pure Evil gallery

SESPER at Pure Evil gallery

Brazilian artist Alexandre “Sesper” Cruz spent his adolescence absorbed in music and skateboarding – building ramps, making fanzines that documented the Sao Paulo art scene, and recording k-7 compilations. These interests influenced the sticker and paste up poster campaigns he launched around the city in 1999.

Sesper is best known for his unique mixed media artwork. He uses recycled material such as paper, cardboard and wood as his surface and paints over these with oil pastel and latex, incorporating layer upon layer of texture and color. A member of the renowned Brazilian art collective, the Famiglia Baglione, Sesper has participated in and filmed many of their live painting and gallery installations around Brazil.

SESPER at Pure Evil

He produces music and is a full time vocalist for Garage Fuzz band since 1991, as well having sung and recorded in the following bands: OVEC, PSYCHIC POSSESSOR, SAFARI HAMBURGUERS, PAURA, and the projects: NOTWORK, INTROSPECTIVE, LOFI EXPERIMENTS, VALLEJO X SUNSET, 5 GAS QUESTION, FLIPTOP, and others.

Words from the Pure Evil website

Tailcast.com: what will you create today?

tailcast-1

www.tailcast.com is a new website that encourages amateur and professional creatives to join the personalized print-on-demand product market through submission and commission based sales.

Everyone can now create unique products with access to other members’ content providing more creative ways to use unique artwork, photography, poems, jokes, illustrations, cartoons… the opportunities are unlimited. Continue reading Tailcast.com: what will you create today?

Tour 13, the biggest street art display ever

There is something beautiful in urban decay when you can imagine how it used to be, how it has been and there was but it might be even more beautiful when something on the verge to vanish forever, is given a last moment of glory.

This is what exactly happened to a massive ten-story building in a low-income housing district of eastern Paris. The site has become one of the largest venues displaying street art ever.

“Tour 13”, as it is called took seven months to complete and iover 100 artists from around the globe had a go at it. Unfortunately the site is now closed and the tower is set to be demolished in the next few days so we wanted to give a a last homage to this ephemeral yet awesome project.

If like us you did not manage to go to Paris to check this out, there is still the Tour13 website to visit as well as the teaser video below as well as the few pics we have included after the fold.

Tour 13 | Art-Pie

Tour 13 | Art-Pie

Tour 13 | Art-Pie

Tour 13 | Art-Pie

Tour 13 | Art-Pie

Tour 13 | Art-Pie

Tour 13 | Art-Pie

All images from Le Mag De Poche

Bruce French at Scream gallery

Scream is proud to present the third solo exhibition with fine artist Bruce French. “Absence of Light” is a sequel to his 2008 solo show and will feature his signature fine line drawings, translated into painting, sculpture and limited edition screen prints. The exhibition will be launched on 26 May with an exclusive performance piece at Scream, choreographed and performed by Vanessa Fenton of the Royal Ballet, and sung by Lynne Jackman of rock band St. Jude. Titled ‘And I always will’, this will be the first collaboration between the artist, dancer and chanteuse, and will be performed in ‘First Drafts’ on 26th April at the Royal Opera House.

With the new body of work, French embraces modern technologies, and although each image is drawn from life and inspired by the people and events he observes, he uses his iPhone and iPad to maintain the visual diaries that form the basis of his oeuvre. His observations are translated into faceless figurative drawings, emotionally charged yet androgynous and anonymous. Bruce begins by creating an image in layers on his iPad. By drawing directly onto the pad with his fingers he is able to experiment with line, form and colour, before printing on Perspex or translating the image to the more traditional medium of oil on canvas. Although Bruce’s paintings are essentially figurative, they possess a bold, linear aesthetic. He is passionate about using the latest technology as a tool for artistic purposes, extending to a sculpture created on the iPad and realized using the latest electroluminescent light technology. The images do not necessarily represent a specific individual, but act as an emotional journal of characters who cross his path from day to day. By stripping away distinguishing features, Bruce creates powerful linear images.

Words by Scream gallery

Read the full press release on the Scream gallery website

When – 27 May – 25 June 2011 | Invite only preview on the 26th, contact Lee Sharrock

Where – Scream gallery | 34 Bruton Street | London W1J 6QX


ROA at Pure Evil gallery: raw

I have been going around London many times to try to snap up some street art and came across ROA’s stuff on several occasions. I knew little about the guy from Ghent (Belgium) and was therefore very keen on finding out more about him and his obsession with picturing large scale urban wildlife through his spray paint cans.

I headed then to Pure Evil gallery for what I was pretty convinced would be something very different with most exhibitions I have seen so far this year. Continue reading ROA at Pure Evil gallery: raw

STREET ART ENCOUNTERS