Despite the marked differences between their graphic and visual languages, long-time friends Paulo Arraiano (yup) and Diogo Machado (add fuel to the fire) have often collaborated on many projects. Over the years each has developed an extensive portfolio in the fields of graphic and visual arts, working in a variety of mediums. Each has also taken part in a great number of individual and collective exhibitions, in Portugal and abroad. This is the first time they are showcasing their work together in the UK.
Both grew up in and live in the seaside town of Cascais, outside Lisbon, Portugal, and in spite of their distinctive paths they share multiple references and interests. They have developed a high level of understanding and familiarity which often borders on the complicit, turning their fertile partnership into an ongoing intuitive collaboration. It is this convergence towards a mutual space where both their differences and similarities intersect that can be viewed here.
Spaces Within explores this point of contact where the two individual realms meet and overlap ≠ an area which both re˛ects and transcends the many inner spaces and territories their lives and work have created; a new multi-layered expanse composed of myriad emotions, characters, stories, landscapes, colours, shapes and details.
Words from Miguel Moore
Where: Pure Evil Gallery | 108 Leonard st London | EC2A 4RH London
When: Opening 16th February . 6pm – 9pm
Artists: Paulo Arraiano (yup) . Diogo Machado (add fuel to the fire)
920 pencils and 5125 images is what what Jonathan Chong (also called Dropbear) needed to put together this very neat stop-motion for the Melbourne-based indie-folk band called Hudson. Enjoy it below.
Also included is a “behind the scenes” footage just to tell you how much work this sort of work involves, loads, no really a tremendous amount of time and patience!
Critically-acclaimed London fringe theatre company Broken Glass is proud to present Scenes from the City – a collaborative art, literature and theatre project.
Taking you on a magical and surreal journey Scenes from the City follows a shifting perspective of everyday life, turning the mundane and the prosaic into something extraordinary. Continue reading Scenes from the City at Nolias Gallery→
If you strolled in Central London recently, you must have come across these unusual looking phone boxes and maybe wondered what all this was about.
Peter Blake, Gerry Judah, Rob and Nick Carter, sculptor duo the DnA Factory and some 70 others artists and designers took part in the BT ArtBox project where they had to transformed the notorious red telephone box into a piece of art.
This project is sponsored by BT to raise money for ChildLine and all “artboxes” are u for auction until the 22nd July so get bidding today, it is for a gret cause.
Which ones do you like or have seen? We have included our top 5 below. See all BT ArtBox entries.
The Outsiders is proud to present I Dont Care About My Face, the first UK solo exhibition by the artist Woozy. Downstairs in The Dungeon, Woozy will exhibit a colourful showcase of his most recent canvases, works on metal and paper.
Originating from Athens Greece, Woozy is renowned for his large-scale murals and outdoor wall paintings that have graced the international urban landscape. Collaborating with a wide network of street artists most notably Os Gemeos, he has travelled his utopian vision across Europe into China and down to Brazil. Whilst maintaining his passion for painting the outdoors, Woozy has now after 20 years turned his focus inside to brightening gallery walls.
Woozys latest series of work retains his signature minimal, yet colorful forms interweaving
an array of diverse materials, styles and techniques. Transcending the limitations of a specific setting or known face, the characters in his paintings are those who journey through space and time embracing a sense of universal beauty found in the abstract.
Texture, light and colour are the Woozys means for the collective expression of freedom.
From the artist on the subject of his forthcoming show: There is a moment, an instant, an incident, a point of contact where the mind pauses. Painting is an action and the action of a painter is a scream. Society has no face. Its the echo of voices, the scent of life. Colors are the expression of movements in the light. When one looks behind his shoulder, everything will fade away, flames will burn out and the bombs will take away the veil from the eyes of those who have lost their freedom.
When: 18th March – 9th April 2011 Where: The Outsiders, 8 Greek Street, W1D 4DG | Monday – Saturday 11am – 7pm, free entry
If the thought of having to go out there at night, hood on and a few cans in the pockets seems to you just not doable, the new Stencil Republic book, by London-based creative studio Ollystudio’s Oliver Walker and published by Laurence King, may be your alternative.
Pick one of the 20 stencils printed onto perforated card which have been created by international street artists such as Artiste Ouvrier, BS.AS.STNCL, Chris Stain, Dan Innes, Orticanoodles, Ozi, Run Don’t Walk and Stencil King, who has penned the book’s introduction.
Hours of fun and feeling of being a street artist, uh within the safe walls of your living room or bedroom, whatver this is a great toy.
One of the street art pieces you will be able to drop is Orticanoodles skull pictured below so what are you waiting for?
Here is what street artist AIKO has to day about the whole thing, ‘This is something you cannot learn at school. It doesn’t matter whether it is commissioned or unauthorised, painting in the dirty alley, on postal stickers, canvases, store signs, outdoor murals, you have to feel it, jump in, don’t stop and…have fun.’
Stencil Republic by Ollystudio is published by Laurence King Press on 1 October, priced £19.95
The first time we came across his work, we just thought that the talent was obvious so we are very happy to have it once again in our upcoming pop up art gallery (see details at the bottom of this post).
Although, his pastel and acrylic works are mostly using black nuances, we think a touch of colours could be a winner, the quality of the drawing is remarkable and some of his pieces are pretty large and imposing when hung on the wall
We asked the man a few questions about himself and his art –
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Art-Pie – Can you tell our readers about yourself in a few words?
Stephen Whatcott – Well, I kind of see myself as a painter who draws or something like that anyway. I think my work is difficult to categorise: I paint with acrylic but draw with pastel, it’s realistic but with a kind of comic book feel, and I often merge lots of images together like a collage to put an idea across to the viewer.
Art-Pie – Can you tell us about your creative process and where does your inspiration comes from?
Stephen Whatcott – I illustrate people in everyday life situations, or doing everyday things, with the intention of capturing the mood or the feelings that the people are experiencing. I’m primarily concerned with the notion of what it is to be human. I like the idea of capturing the time we live in right now and our moment in human history.
Art-Pie – Give us the names of three artists you admire or like?
Stephen Whatcott – It’s hard to name just three. When I started painting in an attempt to earn a living I was massively influenced by the New York artists from the mid twentieth century like Jackson Pollock, Franz Kline and Willem de Kooning. But Edward Hopper was my first fine art crush back in high school, and Egon Schiele, too. Contemporary artists I admire are guys like Erik Jones, Joel Daniel Phillips, Andrew Salgado, Herbert Baglione, Robert Mars, Francesco Francavilla, Rich Kelly… there are so many. I blog about art I like at www.thatguywhodrawsstuff.blogspot.co.uk/.
Art-Pie – Street art is something we like at Art-Pie, what is your take on that form of art?
Stephen Whatcott – I think Street art is another organic art movement that happened as a natural reaction against the formal art world, like Impressionism was. Why enter the gallery arena when the world, and the public, are outside your door? It’s also a political movement, like Punk was in the 70s, but unfortunately it tends to get ignored by the fine art world for whatever reason, because it can be low brow or something, who knows. I think it’s culturally relevant and very important especially in today’s political landscape.
Art-Pie – Are there any other projects or shows that you will be involved with for the rest of 2015 that you want share with us?
Stephen Whatcott – The past year has been pretty crazy on a personal level due to moving house and studio which has eaten into a huge chunk of my work time. I was in the Pastel Society’s annual exhibition at the Mall Galleries last month though which was great. I’m currently concentrating on producing some new work at the moment which I’ll be showing as and when throughout the year… so I’ll be around.
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WHAT – The Creative Bubble, POP UP Art Gallery, Spoken Word, Poetry, Short Films, Music & Networking WHERE – Roxy Bar and Screen, 128-132 Borough High Street, London SE1 1LB WHEN – Wed 29/4/2015 (POP UP art gallery opening night) / Thursd 30 (Spoken word)
Tokyo has always been a mistery to me, one of these cities that will you blow away for sure. What follows would certainly water my eyes. At the occasion of the Tokyo Hotaru festival that just happened, one of a kind of installation was made where LED lights were the main ingredient. LED lights are awesome, aren’t they?
100,000 LED lights, that is what it took to give to the onlookers an astonishing spectacle. The aim here was to suggest hotaru (fireflies) with those lights that floated down the Sumida River through central Tokyo.
Beyond the purdy effect, let’s note that the LEDs were designed to light up upon contact with water and were 100% powered by solar energy. Let’s also mention the reference to a long gone practice were people used to to gather, it seems, around clean, running water, searching for these luminous creatures.
First seen on www.spoon-tamago.com. All credits to the pictures below can be found on this website
Despite the marked differences between their graphic and visual languages, long-time friends Paulo Arraiano (yup) and Diogo Machado (add fuel to the fire) have often collaborated on many projects. Over the years each has developed an extensive portfolio in the fields of graphic and visual arts, working in a variety of mediums. Each has also taken part in a great number of individual and collective exhibitions, in Portugal and abroad. This is the first time they are showcasing their work together in the UK.
If you strolled in Central London recently, you must have come across these unusual looking phone boxes and maybe wondered what all this was about.
