Literal-eyes at London Miles

London Miles is proud to present an all-new group exhibition that takes a closer look at the content found inside the dusty book covers of iconic written works by great literary masters from across all generations. Literal-eyes concentrates specifically at the ways in which great writers have inspired this hand selected group of young and emerging European artists to be the painters they are today.

London Miles will be looking into the depths of the artist’s psyche; their individual artwork will reveal their way of thinking which maybe totally disparate to how we visualize the same text. This comparison will be explored individually by the viewer and will allow great scope for various levels of interaction during the exhibition.To mark this special exhibition, London Miles will be taking over a white wall gallery space in East London, an exciting pop up space divided onto two floors and over 1000 sq ft; situated off Brick lane.

When
Opening reception: Thursday, May 12th 2011. 6pm to 11pm.
Exhibition on show: May 13th to May 16th 2011

Where
65 Hanbury Street | EI 5JP (LONDON MILES GOES EAST!)

‘Nuit Blanche’ in Toronto, street art encounters

We bring you, somewhat in a belated way, Nuit Blanche or when Toronto was transformed for one night only by hundreds of artists. Stroll all night long and get amazed by the works on display. A big thank you to Paul Snell for sending in the pictures below and no we aren’t jealous that he was out there and not us!

Green Invaders, 2012 | Yves Caizergues – Lyon, France
Light Installation – more about this project
Green Invaders, 2012  Yves Caizergues - Lyon, France  Light Installation

Vertical Constructions: Dancer #1 and #2, 2012 | Max Streicher – Toronto, Canada
Sculpture (left) – more about this project
The Way Things Are, 2012 | Chris Hanson – Brooklyn, USA | Hendrika Sonnenberg – Brooklyn, USA
Sculptures – painted street lamps (right) – more about this project
Vertical Constructions: Dancer #1 and #2, 2012  Max Streicher - Toronto, Canada  SculptureThe Way Things Are, 2012  Chris Hanson - Brooklyn, USA Hendrika Sonnenberg - Brooklyn, USA  Sculptures - painted street lamps

Pair, 2012 | Neil Campbell – Vancouver, Canada
Sculpture – more about this project
Pair, 2012  Neil Campbell - Vancouver, Canada  Sculpture

Applications for next year are already open, find out more here – http://www.scotiabanknuitblanche.ca/

Here below is a video of the event – A sneak peek of some of the projects that were on display across Toronto for one night only, during Scotiabank Nuit Blanche on Saturday, September 29, 2012.

Tour 13, the biggest street art display ever

There is something beautiful in urban decay when you can imagine how it used to be, how it has been and there was but it might be even more beautiful when something on the verge to vanish forever, is given a last moment of glory.

This is what exactly happened to a massive ten-story building in a low-income housing district of eastern Paris. The site has become one of the largest venues displaying street art ever.

“Tour 13”, as it is called took seven months to complete and iover 100 artists from around the globe had a go at it. Unfortunately the site is now closed and the tower is set to be demolished in the next few days so we wanted to give a a last homage to this ephemeral yet awesome project.

If like us you did not manage to go to Paris to check this out, there is still the Tour13 website to visit as well as the teaser video below as well as the few pics we have included after the fold.

Tour 13 | Art-Pie

Tour 13 | Art-Pie

Tour 13 | Art-Pie

Tour 13 | Art-Pie

Tour 13 | Art-Pie

Tour 13 | Art-Pie

Tour 13 | Art-Pie

All images from Le Mag De Poche

The unnamable

When Context Take The Game | Art-Pie“Where now? Who Now? When now?

Unquestioning. I, say I. Unbelieving. Questions, hypotheses, call them that. Keep going, going on, call that going, call that on. Can it be that one day, off it goes on, that one day I simply stayed in, in where, instead of going out, in the old way, out to spend day and night as far away as possible, it wasn’t far. Perhaps that is how it began. You think you are simply resting, the better to act when the time comes, or for no reason, and you soon find yourself powerless ever to do anything again. No matter how it happened. It, say it, not knowing what. Perhaps I simply assented at last to an old thing. But I did nothing. I seem to speak, it is not I, about me, it is not about me. These few general remarks to begin with. What am I to do, what shall I do, what should I do, in my situation, how proceed? By aporia pure and simple? Or by affirmations and negations invalidated as uttered, or sooner or later?
Generally speaking. There must be other shifts. Otherwise it would be quite hopeless. But it is quite hopeless. I should mentions before going any further, any further on, that I say aporia without knowing what it means. Can one be ephectic otherwise than unawares? I don’t know. With the yesses and the noes it is different, they will come back to me as I go along and how, like a bird, to shit on them all without exception. The fact would seem to be, if in my situation one may speak of facts, not only that I shall have to speak of things of which I cannot speak, but also, which is even more interesting, but also that I, which is if possible even more interesting, that I shall have to, I forget, no matter. And at the same time I am obliged to speak. I shall never be silent. Never.”
Opening paragraph to The Unnamable by Samuel Beckett

Contemporary philosopher Alain Badiou asks if we can name a truth, anticipating and forcing into knowledge all the elements contained in that truth, risking a totality of knowledge related to it; a problem, for example, in politics where this turns to totalitarianism. He says, “The construction of a truth is made by a choice within the indiscernible…But the potency of a truth depends on the hypothetical forcing…The problem is to know whether such a potency of anticipation [hypothetical forcing] is total…My answer is there is always, in any situation, a real point that resists this potency.

I call this point the unnameable of the situation. It is what, within the situation, never has a name in the eyes of truth. A term that consequently remains unforceable. This term fixes the limit of the potency of a truth. The unnambeable is what is excluded from having a proper name, and what is alone in such exclusion. The unnameable is then the proper of the proper, so singular in its singularity that it does not even tolerate having a proper name. The unnameable is the point where the situation in its most intimate being is submitted to thought; in the pure presence that no knowledge can circumscribe. The unnameable is something like the inexpressible real of everything a truth authorizes to be said.”
Alain Badiou from Infinite Thought

The unnameable is something I have personal experience with. The secret and the truth. I’ve held both of these things, safeguarding, I thought, others and myself. Both secret and truth can be destructive if kept silent. But it has been my experience that once spoken, the unnameable is an agent of transformation; it comes in facing what’s real.

Read more of my interview, When Context Takes The Game, conducted by Becky Huff Hunter for This ‘Me’ of Mine.

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Beckett, Samuel, Three Novels Molloy, Malone Dies, The Unnamable, Grove Press, New York, The Unnamable, originally published under the title L’Innommable, copyright © 1953 by Les Editions de Minuit. Translation copyright © 1958 by the Estate of Samuel Beckett, pp. 285-6.

Badiou, Alain, Infinite Thought, Continuum International Publishing Group, London, New York. Trans and ed by Oliver Feltham and Justin Clemens, 2005 – 2011. “Philosophy and Truth”, pp. 43 to 51, originally titled “The ethic of truths: construction and potency” quote p.49.

Word To Mother at Stolen Space

StolenSpace is proud to present Word To Mother’s fifth solo show with us, entitled ‘Essence Of Adolescence’ featuring a new body of mixed media paintings on wooden panels.

‘Essence of Adolescence’ is an enlightening glimpse into the artist’s visually obsessed mind. Word To Mother invites the viewer to take a glimpse of his inner mindscape. An outward manifestation that combines references drawn from his childhood and the visual stimulation that he absorbed; cartoons juxtaposed with more serious emotive thoughts and fears that face him as an adult living and painting in East London.

Incorporating hand drawn personal sentiments,emotions and feelings that he executes in the form ofloose script, inspired from his experience as a tattoo artist and tight sign written letters, drawn from years of painting graffiti. A beautiful juxtaposition, of fragile and emotive elements shown through subtle textures and washes of colour, but with a strength and confidence fused with his signature patterns, architecture & figures, this body of work is melancholic yet fun and playful.

With anearthy ‘London’ palette of grey tones excentuating splashes of brighter ‘seaside’ colours of fluro red, pink, yellows and turquoise which give the paintings an optimistic feel. Word To Mother draws inspiration from an adolscence which holds precious memories, juxtaposed with an adulthood which has made him the talented artist he is today.

Word To Mother
‘Essence Of Adolescence’
14.10.11 – 30.10.11

London Art Fair – artists we enjoyed, Doyle & Mallinson

We strolled through the London Art Fair for the fourth consecutive year and as always stumbled upon remarkable artworks from ever so talented artists.

In this series, we will tell you why we liked a particular piece from these artists as well as posting more works. We hope you will also enjoy it as we did.

Feel free to comment too at the end of this article. Let’s get started….

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Shaun Doyle & Mally Mallinson

We stumbled upon the piece called “Sumo Ergo Sum(I shop therefore I am)” – cast bronze, edition of 9, H 42.5 x W 45 x D 56cm.

Doyle & Mallinson | Art-Pie
Click to enlarge

The skeleton sculpture, like any other ones to be honest, tickled our eyes right away.

Looking at the skull face expression, it was clear to us that it conveys a strong social message which was confirmed after reading up about the artists – keep on reading below.

About the artists

Our work deals with political and social thought. The forms we use to articulate our ideas often come from popular culture or are second hand, borrowed from another source. The way we put things together is witty, cheeky and aggressive; it mirrors the way we talk to each other. Context within our work is deliberately inconsistent. That inconsistency is our attempt to accommodate the messiness of the real world and allows different audiences different readings.

The lived-in, shabby aesthetic employed reflects the environments that excite us – the underfunded regional museum, the car boot sale, the dump; places where value systems are fluid, more confused or don’t exist at all. In these situations, forms and ideas have the potential to acquire alternate meanings and take on a new life. Through re-imagining objects and their identities we explore the processes of cultural transformation that take place after an object or idea has served its initial purpose. This re-cycling is a means of distilling useful agents; elements approaching redundancy are stripped down, re-formed and re-packaged. The results challenge the cleaner more commercial concerns of some other art forms and celebrate the possibilities of extreme behaviour and belief.

Other works from this artist

Click to enlarge

Doyle & Mallinson |Art-Pie

ecce-homo-tesco-2_666

Doyle & Mallinson |Art-Pie

London Art fair – in its 23rd year but still going strong, part3

So there we had it – the 23rd London art fair, the biggest yet with a remarkable 24 ooo+ visitors this year. It has proven to me that this event is the place or one of the best places to discover, see or enjoy the best of modern and contemporary British art.

Over 120 galleries exhibited this year,  a decent number but still lagging behind its big sister, the Frieze art fair, with its 170+ galleries  but the two events should maybe not be compared as the Frieze fair is an international fair while the London art fair focusing on British art.

Another noticeable thing was that this year again, London based galleries made the bulk of the exhibitors with 80%. Painting and sculpture were also again the two main types of arts that could be seen but this is what the London Art Fair (LAF) has been about for a while now. The regular visitor will know this, the newbies not necessarily.

Selected works from the fair below.

William Martyr
Acrylics on canvas | Tag Fine Arts

Paul wright
Oil on canvas | Thompson gallery

John Hoylan
Acrylics on cotton duck | Beaux Arts London

Andrea Mastrovito
Cut paper collage and aniline dye on paper | Foley gallery

Dominic Shepperd
Oil on canvas | Charlie Smith

Marilene Oliver
Laser prints on card, red ink, bonded nylon and seed beads | Beaux Arts London

STREET ART ENCOUNTERS