The Duke of Lancaster, a decommissioned and abandoned cruise liner shipwrecked docked off the North Wales Coastline in Wales has become the home to a range of urban artwork murals.
Here are the latest pieces that came up : Mr Zero and Fatheat are part of Street Art Crew and Colored Effects Crew, a Hungarian Street Art Crew.
They have made the trip to North Wales from their native Hungary, to leave their own message about corruption on the 1950s cruise liner, with their works which are titled ‘The Prophets of Profit’.
This has been split into two separate portraits which are positioned either side of Bristolian Artist Bungle’s ‘Face of Authority’ piece.
Mr Zero has created a 12 x 7m pig character. Notably he has included the council’s own logo on the pig’s hat and incorporated provocative wording: ‘Greed’, ‘Power’ and ‘Corruption’ in the character. This message is further reinforced by his partner, Fatheat’s, 12 x 9m mural, which depicts a monster character.
Mr ZERO
This grotesquely includes human faces buried within the character and money surrounding it. Fatheat comments: “The faces represent the people affected by the Prophet’s corruption and how they have been swallowed up and used against their will.”
In direct contrast to these characters and the other artworks on the ship, Irish artist Fin DAC has created a beautiful image, depicting a Geisha Character. Titled ‘Mauricamai’, this painting is tucked away around the hull side of the ship.
FIN DAC
It has been purposefully positioned so it can’t be seen from the coastal path – it can only be seen if the ship’s dock is opened to the public.
The ship is now home to 8 pieces of artwork, with artists travelling from all over Europe to leave their mark on this historic vessel.
Aww Easter… Always a good time, not so much for the religious aspect but rather more for the bank holiday weekend and looming indulgence of chocolate bunnies and eggs.
Another thing to look out for are many Easter-themed street art and graffiti works. We browsed the web and compiled a small collection for your eyes only.
And for those who don’t know what Easter is, this below is for you – thanks Wikipedia
Last time we went to see an Adam Neate’s show, precisely at the same venue, we were happily surprised by the freshness of Adam Neate’s three dimensional works.
I hadn’t seen such work, such technique before – 3D in paintings using Perspex being such a modern medium. The sober atmosphere, high ceilings and spot on lighting at Elms Lesters painting rooms enhance Adam Neate’s art which seems to gravitate around you.
You will find below a few pics of his show last year
A definite must see show
When – until 29th October
Elms Lesters Painting Rooms
Tuesday – Friday 11am – 7pm
Saturdays 11am – 5pm
Emma Stibbon’s work in this exhibition looks at history and collapsed empires. The shadow of classical antiquity cast on Western civilization ominously stretches into present times – the city is a symbol of both memory and amnesia.
Her focus looks at simultaneous periods of time, mainly sites of ancient Rome, and how Imperialist and republican architecture was later appropriated to lend credibility to new regimes. She is interested in the dialogue between two pasts; that of Ancient Rome and Mussolini’s Fascist plans for the city and in places that can be read as a palimpsest, a layering of historical traces.Rome as a site of overlaying ideologies – the ultimate collapsed empire leading one to reflect on human endeavour,
vanity, frailty, time and impermanency.
Where
31 Waterson Street | London E2 8HT | www.roomartspace.co.uk When
10 November – 17 December (Wednesday – Saturday 12- 6pm)
The first London solo exhibition by German artist Markus Keibel sees a continuation of his interactive site-specific installations, as featured in PORTIZMIR 2 (2010), the triennial of contemporary art held in Izmir, Turkey. Exploring semantic roots and the poetry of materials, Keibel’s work brings to surface enigmatic, abstract forms.
Since 2005, the Berlin-based artist has not only developed conceptual site-specific installations, but also an abstract idiom using different forms of human traces. The perception of viewers is the issue addressed by Keibel, whose current work investigates how colour interacts with viewers. His sculptures, paintings and works on paper draw their elements from simple materials, often using pigmented glass and acrylic colours to modify their mode of operation.
Created on-site especially for the Arch 402 Gallery, Inside Complexity will reveal a large-scale floor sculpture, designed for viewers to walk over and leave traces as they move. Characterized as an ever-changing form, the four concentrated circles—created using different coloured pigment powders—shift and disperse throughout the exhibition venue, causing the colours to lose their intensity. As part of the exhibition, the transformation of Keibel’s ever-changing floor sculpture will be captured both in a time-lapsed video and on canvas.
In order to create these final works, the gallery space will be closed the day following the Private View (11th Feb) when Keibel will use the transformed pigment areas to create big canvases (170 x 280 cm), revealing the transcribed traces of human movement.
Keibel’s interactive installations are less focused on how interaction with the work evokes feelings in the public, but rather, with how these feelings act on given materials, as the pigments ultimately seem to reveal a sentimental beauty. Rendering the pigments in his own specific mode of representation, Keibel not only prefigures subjectivity in the abstract but also his own subjectivity, from a viewpoint that questions the prescriptive experience.
Words from Necmi Sonmez
Where – ARCH 402 GALLERY | Cremer Street, E2 8HD | Tue-Fri 11-6 When – 12 February – 18 March 2011 / Private View 10 February 6-9pm
Despite the marked differences between their graphic and visual languages, long-time friends Paulo Arraiano (yup) and Diogo Machado (add fuel to the fire) have often collaborated on many projects. Over the years each has developed an extensive portfolio in the fields of graphic and visual arts, working in a variety of mediums. Each has also taken part in a great number of individual and collective exhibitions, in Portugal and abroad. This is the first time they are showcasing their work together in the UK.
Both grew up in and live in the seaside town of Cascais, outside Lisbon, Portugal, and in spite of their distinctive paths they share multiple references and interests. They have developed a high level of understanding and familiarity which often borders on the complicit, turning their fertile partnership into an ongoing intuitive collaboration. It is this convergence towards a mutual space where both their differences and similarities intersect that can be viewed here.
Spaces Within explores this point of contact where the two individual realms meet and overlap ≠ an area which both re˛ects and transcends the many inner spaces and territories their lives and work have created; a new multi-layered expanse composed of myriad emotions, characters, stories, landscapes, colours, shapes and details.
Words from Miguel Moore
Where: Pure Evil Gallery | 108 Leonard st London | EC2A 4RH London
When: Opening 16th February . 6pm – 9pm
Artists: Paulo Arraiano (yup) . Diogo Machado (add fuel to the fire)
Lego, lego and lego. We like it very much here at ART-PIE and were very excited to learn about the release of their latest short film – The Brick Thief.
To make it even better, the whole thing is in stop-motion.
If you love spotting street art, but you’re never quite sure where you should look for it, then worry not. There are plenty of ways in which you can make sure you encounter great street art on a regular basis.
Where as street art was once considered to be little more than vandalism, these days it is a hugely popular art form. This means that there are plenty of books, magazines and websites dedicated purely to the subject of street art and where you van find it. Many works of street art are now protected, so you you may find that you have much more time to visit them. Spend time researching an area before you visit, and you are more than likely to be clued up on where to find local street art before you arrive.
However, some street art is far more temporary, and you’ll need to be on the ball if you want to be in with a chance of spotting it. Sites like Twitter can be a great way to keep up to date with the latest street art discoveries. If you’re keen to keep an eye on where new works of street arts have cropped up, whilst playing online games like Partypoker and checking your email from the comfort of your own home, then using sites like this can be the best way to do so. They’re also perfect if you’re on the go, and don’t mind making a detour to see some great street art before it’s gone.
Lastly, it is important to simply keep your eyes peeled. Even street art which may not have a big name attached to it can still be well worth seeing. Certain locations are fairly well known for attracting street artists, so it can be well worth keeping a look out should you happen to be passing through.
Before you dive into this article, let us introduce to you Aces Of Green, our new art project focusing on producing visual art & educational material to stimulate conversations & awareness for environmental issues such as Climate Change or Plastic Pollution.
When you buy art from us, we give away at least 2 pounds to our JUST ONE TREE fund so trees get planted across the world.
CHIMP IPIGS I
Who would you say are the most influential artists of all time? Vincent Van Gogh? Cézanne? Monet? It’s surprising to think that, despite these artists’ worldwide fame and appreciation, they weren’t really recognised as masters until after they had died.
Here are eight famous artists who gained appreciation after death:
Vincent Van Gogh
Van Gogh is renowned the world over. There can’t be many people who haven’t, at some point, seen a representation of his sunflowers paintings or his own self portrait. Van Gogh was a prolific painter – he produced more than 900 paintings during his lifetime – but they were often criticised for being too dark and lacking in energy. It was Van Gogh’s sister-in-law who, after his suicide in 1890, preserved his works to be appreciated at a later date.
‘Self portrait’, Van Gogh | Art-Pie
Paul Cézanne
Cézanne is widely touted as the essential bridge between the Impressionist art of the 19 th century and the Cubism of the 20 th century. Many young artists revered Cézanne during his lifetime – Picasso and Matisse referred to him as “the father of us all” – but his work was consistently rejected by the official Salon in Paris and made fun of by art critics. Just a year after his death in 1906, Cézanne’s artworks were given the exposure they deserved in a retrospective at the Salon d’Automne.
‘Pyramid of skulls’ from Paul Cezanne
Claude Monet
Monet’s waterlily paintings are surely amongst the most famous in the world. Yet during his lifetime, his unique form of painting – choosing nature and landscapes as subjects and using short brushstrokes to create a sense of movement – were rejected by the art world of the time.
“Soleil levant” By Claude Monet | Art-Pie
Paul Gauguin
Another artist who pushed at the preconceived limits of his craft and went largely unappreciated during his lifetime was Paul Gauguin. His deeply colourful Post-Impressionist paintings influenced many famous 20 th century artists, including Picasso and Matisse, and now sell for millions of dollars.
Henri Toulouse Lautrec
Maybe it was Toulouse Lautrec’s unusual painting style or his less than respectable subject matter that saw his work underappreciated in his lifetime. He painted the gaudy world of brothels, prostitutes and can-can dancers in 19 th century Paris. It was only after his death in 1901, that Toulouse Lautrec’s mother began to promote his art and it began to receive acclaim.
‘Selfportrait’,Henri Toulouse Lautrec
Domenikos Theotokopoulos “El Greco”
El Greco was born in 1541 and spent much of his life in Spain. The painter, sculptor and architect only became properly appreciated four centuries later. During his own lifetime he was described as a “mad painter”, one who didn’t work within any of the recognised artistic schools and was criticised for his antinaturalistic style.
Georges-Pierre Seurat
Seurat, a French Post-Impressionist, is perhaps most famous for his painting A Sunday Afternoon on the Island of La Grande Jatte . The painter is also responsible for bringing pointillism to the world. The term pointillism was actually invented by art critics of the time who used it to mock Seurat’s work.
Johannes Vermeer
Dutch painter, Vermeer, painted domestic scenes and portraits. Paintings like Girl With a Pearl Earring demonstrate a masterful use of light. However, Vermeer painted few works during his lifetime and left his family in debt when he died. It’s only with the passage of time that Vermeer has been recognised as one of the most influential Dutch painters of all time.
It’s incredible to think that these artists were ridiculed for their artworks and didn’t sell much at all during their lifetimes. Experimenting with new techniques and unorthodox subjects, they were ahead of their times. They inspired generations of artists to come and rightly deserve the posthumous appreciation they have all now gained.