Cranio or street art from Sao Paulo

Fabio, a.k.a. Cranio is from São Paulo, Brazil and have been spraying around since 1998.

Still to have a show in the UK, I am sure it is just a matter of time, Cranio is getting more and more attentionI in his native country. Armed with sprays, latex paint, brushes and paint rollers, he leaves his imagination flow and his passion for indigenous art blossom.

Enjoy a selection of some of his works below. The first photograph is his latest work. We love the Brazilian pareo!

See more of Cranio’s street art

Cranio

Cranio

Cranio

Cranio

Cranio

Cranio

Cranio

Cranio

Hors Les Murs, part of the FIAC fair

The FIAC art fair has opened its doors to the public until the 27/10 and while loads is happening, a stroll around the Parisians parks i a must as a bung of artist have dropped some outdoors installation. This event is called Hors-Les-Murs

Make sure to head down to the Tuileries Gardens, Jardin des Plantes, National History Museum, and Place Vendôme, the Petit Palais, and the banks of the Seine River, situated on the left bank between the Pont de Solférino and the Pont des Invalides and you shoud get your dose of art

Highlights include an installation by Tadashi Kawamata on the iconic Vendôme Column in Place Vendôme, working in collaboration with the Comité Vendôme and its members, in particular a number of major jewelers that are based in the mythic square. The piece is entitled “Tree Huts at Place Vendôme, 2013.”

Art Drive – BMW cars turned into artwork

Art Drive - Jeff Koons | Art-PieWhatever some may think about the London 2012 Olympics, it is bringing a lot art and life to the city making it not only the sport capital of the world but very much a cultural hub right now. We have started to enjoy the many exhibitions and pop up art shows part of the London 2012 festival that is running along the Olympics and actually right into September.

We made our first stop at Art Drive and we so glad we did. The NCP Car Park, 35 Great Eastern Street, Shoreditch, London EC2A 3ER which I ignored so many times as I walked past, is now cocooning the BMW Art Car Collection. 17 cars turned into pieces of art. I will never see again that car park with the same eyes.

You have to go back in 1975 to see the first ever BMW Art Car burning some rubber at the famous Le Mans 24-hour race. From there 16 other Art cars followed which all competed in this very race until the current and last one ever painted – The Jeff Koons one, see below for pictures. Some of the artists who got involved in this 35-year long project are Andy Warhol, Alexander Calder, Cesar Manrique or Frank Stella.

But enough about the history, let’s go and see the cars! The settings for this show are completely surreal: the car wash team, based outside of the car park was at it while I was greeted with a big smile by the the Art Drive team and quickly ushered inside the car park and rapidly wafted in a huge lift that can most definitely contain a couple of cars but above all that made me feel right into some sort of action or sci-fi movies like Alien. I was excited now.

The girofar then went off, a strident sound soon followed that smashed the relative silence that had settled during my journey up to the unknown. The door slid open: I had reached the 8th floor and was about to see my first Art Car.

Enjoy the pictures below and leave a comment if you like any of them! Consult this website to read more about the cars, designs and artists that took part in this project

A bit of trivia for you – the BMW Art Car M1 by Andy Warhol was the most successful car on the circuit de la Sarthe, it took sixth place overall in 1979.

The latest and last BMW Art Car by Jeff Koons
Art Drive - Jeff Koons | Art-Pie

ALEXANDER CALDER
Art Drive - Alexander Calder | Art-Pie

SANDRO CHIA (left) | ESTHER MALANGU
Art Drive - Sandro Chia | Art-PieArt Drive - Esther Malangu | Art-Pie

ROY LICHTENSTEIN
Art Drive - Roy Lichtenstein | Art-Pie

FRANK STELLA
Art Drive - Frank Stella | Art-Pie

ANDY WARHOL
Art Drive - Andy Warhol | Art-Pie

London Art fair – in its 23rd year but still going strong, part1

3 hours solid is the time I spent yesterday at the Business Design centre where the London Art fair is being held until Sunday 23rd January and still I ran out of time to get to see or do what I had intended too. This is to show how much there is to see at this amazing event. Continue reading London Art fair – in its 23rd year but still going strong, part1

RECURSIVE on Repetition

RECURSIVE blog banner

I’m very pleased to say

1) I have a new project in the works and

2) Art Pie is again media sponsor!

This project is smaller in scale than This ‘Me’ of Mine, but just as interesting. RECURSIVE explores the inner repetitive thought processes, both ones we’re aware of and ones we’re not. The works in the exhibition show evidence of this recursive thinking in action through the work. My goal for the blogsite is to create a place to discuss what repetition is, how it affects us, and why we’re so drawn to it. So far, that is working really well!

Here’s an example:

janeboyer

Submitted on 2014/05/16 at 1:03 pm

I’ve been thinking of how I feel about the change in repetition, and really, how would I put it into words?I can remember feeling ‘solid’, meaning I knew who I was in relation to where I was and who I was with. Mechanization made communities prosperous, providing most of the work for a local population.

I knew what products I could depend on, where to buy them and how much they would cost. I knew I would need to save money to afford more expensive things I wanted. There was stability in knowing products were readily available and in constant supply. I came home with products I liked in shopping bags. I could smell the production process of tires and toothpaste on the air, knowing they smelled polluting.Now, as someone involved in a digital world, I work where I do not live, I purchase products from all over the world which are shipped to me.

I feel guilty at the thought that less wealthy people than I (and I am not wealthy!) make the clothes I wear and have produced them in a very foreign place in unknown circumstances and at unknown costs to the environment. I feel ‘transparent’ as I share quirky little thoughts on twitter and downright exposed when I post anything on Facebook. I feel impinged by knowing that I can never decide to remove my profile on Facebook. I feel hectic and rushed even though I sit at a table most of my day typing on a keyboard.

I see almost no one, except my husband, throughout my workday. In short, I feel boxed, constrained, observed and strangely non-material in a world that I struggle to comprehend, as my thoughts flit from task to task, page to page, and site to site.

Ian Pickering

Submitted on 2014/05/16 at 4:50 pm

I am not sure that repetition is mechanisation. Farming is repetitive as is much basic craftwork. I am also tempted to suggest that change has always produced a response that things have got worse. Feeling transparent. That is an insight and I understand the idea of being simultaneously connected but isolated.

codedimages

Submitted on 2014/05/16 at 5:17 pm

I recognise your descriptions. I do feel though that I work where I live, but the product of that work is then spread instantly to all parts of the globe and to anyone who cares to take an interest. Working alone is lonely.

I envy those who have a physically located group to associate with and are able to share ideas face-to-face. I don’t know if any of this has repetition at its core though. I do know I would not want to turn the clock back entirely. I feel privileged to be able to discuss ideas with people all over the world.

Being able to find like-minds wherever they might be is a huge plus for the web. On the other hand I need to find a better balance, where at least some portion of time is spent physically co-located with other artists. I will be working on that aspect in the days, weeks, months and years to come.

Kay

Submitted on 2014/05/17 at 1:46 pm

A few thoughts on a great topicI knit and crochet so there is much repetition involved in those actions. By chance I found and continue to find those repetitions creative. The stitching can also have a meditative quality to it, awakening me to the moment.

I don’t expect every repetitive action to have a meditative quality to it however I do recognise actions which are engaging and enlivening and those which have a dulling effect.I have had interesting on-line conversations and got connected to collaborative on-line projects -which I would never have come across without the digital world – I do value them. What I find with digital media is that it is all too easy to get stuck in repetitive actions which don’t lead to anything in particular.

The impact of some digital repetition is to dull / numb the brain. Perhaps that is why we crave the connection with humans who aren’t glued to the screen. The connections can perhaps be more random, intuitive and exploratory.I also think that repetitive digital actions in office spaces are questionable. The assumption seems to be that if people are at the screen they are working and even engaged in their work.

I don’t agree. Humans create and work in a range of ways. As a fellow human I need variety and stimulation through words, textiles and other random moments to develop. This becomes more important as I get older. I work with older people and am obsessed with memory, aging, loneliness and isolation! A few of the comments here refer to people experiencing a sense of isolation even in a world of virtual connections.

I think it is essential to create spaces which integrate the virtual and physical nature of life (I love the makers library network). Isolation is a killer. As a human I want to be awake to this and create repetitions which sustain me and who know others around me.

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We hope you’ll join us and join in the conversation…

Go to RECURSIVE

Ben Eine’s ‘Tenderloin’ A-Z showcase

Ben Eine | Art-PieWhen I first read about this event from my inbox, I must admit I got quite excited as Ben Eine and his work are exciting. If you love colours, letters and typography, you will appreciate this artist’s work.

“The venue will be announced just before the show and via Nelly Duff’s social medias”. This was enough to convince me that we were on something good.

I was wrong. What the show had to offer was a series of pieces with the whole alphabet broken down in a multitude of versions, different colours, not coloured at all, this sort of things. It did not take me long to go round the whole venue to have seen it all. I actually must more enjoyed the old graffiti and tags spread all around the venue from old jams or other shows.

I have not mentioned the launch of of ‘The World Atlas of Street Art & Graffiti by Dr Rafael Schacter that happened that night too just because, let’s be honest, the hype around Ben Eine did a good job by bringing people in and to get the copies of the book flying off the shelf…

We took a few pics anyway.

Ben Eine | Art-Pie

Ben Eine | Art-Pie

Ben Eine | Art-Pie

Ben Eine | Art-Pie

Ben Eine | Art-Pie

Ben Eine | Art-Pie

Noise Intercepted, global art project about noise

Labspace Studios | Noise Intercepted
Photo by Sam Pelletier

Noise. Noises. They are everywhere these days and unique in their own ways but can they be assimilated to art too?

Labspace Studio ( (a creative agency & art house in Toronto, Canada), the people behind Noise Intercepted, a global art project about noise part of the Noise Project, certainly think so and have just launched their project today. and guess what, we are taking part and are excited about it. But what is it exactly?

Noise Intercepted is a series of ten experience-activated noise challenges that prompt participants to listen, observe and interact with their urban soundscape in new and unlikely ways.

The project brings together over 200 collaborators from 28 countries around the globe — artists, sound ecologists, designers, writers, mothers, fathers, educators, filmmakers, administrators, technicians, scientists, students, programmers, health practitioners, and the list goes on.

Over the course of four months (March – June 2013), participants will be sent (via text msg & email) a series of ten noise challenges and creative prompts.

They have exactly 1-week to respond to each challenge and share their findings here with you.

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You can still join – http://thenoiseproject.net/call-for-collaborators/noise-intercepted/

Stay up-to-date and get onto the Facebook and Twitter pages
https://www.facebook.com/Labspace.Studio
https://twitter.com/LabspaceStudio

The Noise Project

Hannah Rothstein Thanksgiving Special plates of food

What not to like here? It is Thanksgiving today and San Francisco-based artist Hannah Rothstein transposes Thanksgiving dinners as plated by famous artists throughout history.

Andy Warhol
Hannah Rohstein Thanksgiving Special | Art-Pie

Georges Seurat
Hannah Rohstein Thanksgiving Special | Art-Pie

Jackson Pollock
Hannah Rohstein Thanksgiving Special | Art-Pie

Picasso
Hannah Rohstein Thanksgiving Special | Art-Pie

Rene Magritte
Hannah Rohstein Thanksgiving Special | Art-Pie

Vincent Van Gogh
Hannah Rohstein Thanksgiving Special | Art-Pie

All artworks (prints) are signed and limited edition and even better, %10 of profits will be donated to the SF-Marin Food Bank. For inquiries, write art@hrothstein.com.

Je suis Charlie

No need to remind anyone about what just happened in France, the country where I was born. No need either for me here to go into any political debate as this site only celebrates the creativity out there and we’ll keep that way.

I just wanted to share some of the cartoons that emerged following the events which once again demonstrates again the power of creativity and the mighty effect that pencils, brushes or pens can convey.

This is for you the families of all the victims, these are for whoever got affected by what just unfold.

#JeSuisCharlie

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By Dave Pope
Dave Pope - #JeSuisCharlie| Art-Pie

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By Lucille Clerc
Lucille Clerc #JeSuisCharlie | Art-Pie

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Charlie Hebdo, French for Weekly Charlie) is a French satirical weekly newspaper, featuring cartoons, reports, polemics, and jokes. Irreverent and stridently non-conformist in tone, the publication describes itself as strongly anti-racist and left-wing, publishing articles on the extreme right, Catholicism, Islam, Judaism, politics, culture, etc. According to its former editor, Charb (Stéphane Charbonnier), the magazine’s editorial viewpoint reflects “all components of left wing pluralism, and even abstainers”.

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By a Chilean artist entitle “And this is our gun
#JeSuisCharlie | Art-Pie

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By James Walmesley
#JeSuisCharlie James Walmesley | Art-Pie

The magazine first appeared from 1969 to 1981; it folded, but was resurrected in 1992. Charb was the most recent editor, holding the post from 2009 until his death in the attack on the magazine’s offices in 2015. His predecessors were François Cavanna (1969–1981) and Philippe Val (1992–2009).

it is published every Wednesday, with special editions issued on an unscheduled basis.

Je suis charlie

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