Fasim – The Montana Gallery

Wow, it really feels like we have been going on about Barcelona forever, not only it one of our favorite places to visit, yet there is always some much content to gather.

Fasim is some what of a local legend, being active on the local and global street scene for over 12 years. This show focussed on a more contemporary style. If this show was placed in any other gallery you would be hard pressed to find any link to a self taught graffiti artist, something we found very interesting.

This show was not so much about subject matter and more about the exploration of texture, with the use of heavy layering and scored paint to create depth. you really needed to view the works from all angels to get a complete feel for what Fasim was attempting to create.

This show was a easy on the eyes and set in a simple and welcoming gallery.

View the full set of shots here: http://www.flickr.com/photos/chasingghosts/sets/72157626702607658/

 

The Multiplied Fair opens this week end

The third edition of the contemporary art in editions fair, Multiplied, returns to Christie’s South Kensington this October. Christie’s is pleased to announce forty-one international contemporary galleries will be participating, in what continues to be the UK’s only contemporary print fair.

Once again the salerooms in South Kensington will be transformed during Frieze week. The fair will be open to the public with free admission from 12-15 October 2012.

We have included below a few examples of what you will be able to purchase –

CFPR Editions

Carolyn Bunt
Carolyn Bunt | And when I had looked up it had gone 1 (2010) | Pigmented Inkjet Print

Parasol Unit Foundation

Adel Abdessemed | Art-Pie
Adel Abdessemed | No Smoking (2012) | Neon, wall-mounted

Fashion Illustration Gallery

Francois Berthoud
Francois Berthoud | V (Orange) 2011

www.multipliedartfair.com
@Multiplied_Fair (hash tag) #MAF2012
https://www.facebook.com/#!/Christies

Dale Grimshaw at Signal gallery – Moreish

Dale Grimshaw "Moreish" at Signal gallery | Art-PieWe made our way down to one of our favorite art galleries to check out the new set of works from Dale Grimshaw that makes up his new show entitled “Moreish”. Having seen a few previous shows from the same artist, we knew that we were up for another display of strong emotions from the artist and we were right.

This time, the artist looks at the notion of “excess” that is spreading in modern societies and which seems to affect an increasing number of people. Here is what the artist had to say about it “It is a case of enough is never enough. The ‘haves’ want more and the ‘haves not’ can pay for it. Once we get that acquisitive taste, we just want more and more”

As the title of this show suggests – Moreish, the food element is everywhere in Dale Grimshaw’s pieces and they are piling on top of each other and dripping down faces of the characters the artist using in his paintings. This certainly gives a sense of a “too much” but also of a “waste” which “moreish” behaviour might lead to. The color palette used here – black/dark background in most cases combined with fiery colours, clearly translate the negative artist’s view on that notion of excess spreading in our societies according to him. A a result, the atmospere of the show is rather thick and heavy and you can almost feel its weight on your shoulders.

It is also worth pointing out the variety of characters that are depicting in Dale Grimshaw’s work, from the sweet and soft women’s faces to the rather alien looking “thing” which, apart from perhaps warning us what will happen if we embrace “excess, will add even more tension to the show.

From a more technical point of view, Dale Grimshaw’s techniques are just amazing. Oil and acrylics are the main mediums for this set of new works while canvases  and wooden boards are the main supports used here. If we had to pick a piece out of the lot and on a pure aesthetic point of view, ” The Platter” (oil on board) would be the one. The color palette is striking. See pictures below

The Platter
Dale Grimshaw "Moreish" at Signal gallery | Art-PieDale Grimshaw "Moreish" at Signal gallery | Art-Pie

——————————

The show runs until the 23rd November 2012
Signal gallery | 32 Paul Street London EC2A 4LB | 020 7613 1550

Dale Grimshaw "Moreish" at Signal gallery | Art-PieDale Grimshaw "Moreish" at Signal gallery | Art-Pie

Dale Grimshaw "Moreish" at Signal gallery | Art-PieDale Grimshaw "Moreish" at Signal gallery | Art-Pie

London Art fair – in its 23rd year but still going strong, part2

Here is the second set of selected works from this year’s London Art fair which for the sixth year includes Art Projects, now a major part of London Art Fair.. 31 Galleries feature emerging artists and new work.

Established as one of the most exciting sections of the Fair, it features solo shows, curated group displays and large-scale installations with galleries from across the world. Pryle Behrman has worked on Art Projects as curator since its inauguration in 2005. Continue reading London Art fair – in its 23rd year but still going strong, part2

25 years ago, the Berlin Wall and Thierry Noir

Thierry Noir | Art-Pie

The Berlin Wall came down 25 years ago. I remember it like yesterday, although at the time I did not understand the full meaning of what was unfolding in front of my eyes.

Looking back at it now as an adult, I can see the importance of what this event meant – the cold war was on its way out. Tyranny and freedom denials were starting to become something the West Berliners could dream of getting rid of.

The Fall of the Berlin Wall | Art-Pie
Berliners at the time of the fall of the Berlin Wall

Such dark times and oppression naturally led to various acts of rebellion, from President Kennedy standing by the Wall in 1963 and declaring: “Ich bin ein Berliner.”, to artists braving the Grepos (or border police) to express their disapproval of the tyranny that was in place in West Germany.

And it is the latter that I want to talk about here. I want to pay tribute to all these artists who defied the ‘death strip’ as it was called, a no man’s land between the two walls, the border of East and West Berlin, and Thierry Noir, a French artist, knows it all too well.

Thierry Noir is thought to be the first street artist to paint the Berlin Wall. Born in 1958 in Lyon, France, he moved to Berlin in January 1982 with two small suitcases, and lived in a squat at Mariannenplatz, near the Berlin Wall.

His first attraction to the city was the fact that David Bowie and Iggy Pop lived there at the time, and Thierry Noir was a big fan on their music.

“Nothing really happened at the Berlin Wall. There were no cars, no shops, no noises. I never saw any ‘actions’ with the Grepos, never saw any soldiers shooting at anybody.”  – Thierry Noir

One of the first things he painted on the Wall was this elephant (see photo below). “I started painting outside because I wanted to say that it’s good to put art in the streets and not solely in museums and galleries.”

Thierry Noir | Art-Pie

This painting symbolises the key to success – heavy work every day. In other words, get your ass out there and grasp opportunity, do not stay at home waiting for something to happen –  that is what the artist’s message was all about.

Thierry Noir | Art-Pie
Thierry Noir in 86 painting the Berlin Wall

“We used to collect leftover paint and materials from the renovation of houses in Kreuzberg. We made do with whatever we could find. We had no money to buy materials.” Thierry Noir

Thierry Noir's profiles | Art-Pie
Thierry Noir’s cartoon-like profiles

Thierry Noir’s style quickly changed to become what he is famous for – brightly coloured paintings depicting cartoon-like profiles (see below). The artist called this transformation – his Fast Form Manfesto, which is in fact the result of a need to adapt his style.  It was in an effort to cope with the hundreds of people who approached him to talk while he was painting, at risk for being caught by the German authorities.

One famous incident is when Keith Haring was invited to come and paint the Berlin Wall at Checkpoint Charlie in October 1986. Thierry Noir, with the help of Christophe Bouchet, an artist he’d met a few years earlier, painted a series of 2-meter Statues of Liberty at this precise location. Unfortunately the wall got painted over in yellow, in preparation for Keith Haring. Haring however was not aware of this, so after apologies and embarrassment from Keith and annoyance from Thierry Noir, both artists were fine in the end.

What else to say about Thierry Noir? A great artist with a great story, his brightly coloured paintings are now seen as iconic and are still visible on the wall’s East Side Gallery.

STREET ART ENCOUNTERS